Laman

Autumn

Why did summer go so quickly
Was it something that I said
Lovers walking along the shore
Leave their footprints in the sand
Was the sound of distant drumming
Just the fingers of your hand
Pictures hanging in a hallway
And a fragment of this song
Half remembered names and faces
But to whom do they belong
When you knew that it was over
Were you suddenly aware
That the autumn leaves were turning
To the color of her hair

- Windmills of Your Mind
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Composicion de recuerdos

En nuestras últimas vacaciones a Italia, visitamos el rastro del barrio del Trastevere , en Roma. Iba con una idea clara, encontrar algún pequeño tesoro antiguo que tuviera relación con las labores.
Escudriñar con la vista entre tanta cosa y dar con el objetivo, no fue sencillo. Pero por fín , pude dar con dos piezas que me parecieron una maravilla , y que después de regatear, se quedaron en mi bolso.



Fijaros qué dos agujas de ganchillo en plata más bonitas. Esta pareja trae la empuñadura labrada , con una niña bordando en una y una pareja en la otra. Por supuesto, ya desgastadas por el uso y el paso del tiempo. Según el señor, eran de finales del siglo XVIII, " ya" , le dije yo . " Sí , si señora se lo aseguro" contenstó él.





Pero quería que vierais lo fina que tiene la punta. He colocado un hilo de ganchillo al lado para que lo apreciéis. Realmente cuesta sujetar el hilo en la cabeza de la aguja. Y os lo digo por experiencia, que en mis tiempos también hice ganchillo gracias a lo que mi abuelita Francisca, que en paz descanse, me enseñó.

he
............De otras ciudades , fuí añadiendo a mi bolso otros pequeños detalles, como estos corazones hechos en bolillos.



...... el dedal en cristal de Murano, las tijeras de plata de la orfebrería de Venecia, o puntillas de alguna mercería que encontraba en el camino.



Pensé que sería muy bonito tener todo esto recogido como un recuerdo del viaje italiano. ¿ Qué podía hacer ?
Esto fue lo que se me ocurrió.

Composición de recuerdos

Utilicé unos marcos en beiege con cierto aire decapado . Coloqué una base de guata y sobre ella recorté una de las toallas de bastista bordada a mano. Luego sujeté todo lo demás con pequeños pespuntes y con pegamento caliente .

En el marco donde iban las agujas hice un trocito de puntilla de ganchillo que quedaba enganchada en el hilo, y este a su vez, a un pequeño ovillo que estaba dentro de una cesta de mimbre , también traída de una tienda en Roma. Añadí el encaje de la bolillera , en una esquina , y una puntilla que hiciese juego con la cinta que colgaba de la cestita.


Composición de recuerdos detalle
En el otro marco agrupé lo que me pareció más similar. El encaje del querubín con los corazones, el dedal, la otra pieza de plata ( me encantaron las tijeras que incluso se abrían , siendo tan menudas ) un encaje en forma de mariposa que rompiera un poco los volúmenes y el dedal de cristal colocado para lucir sus finas flores.

Composición de recuerdos 2

Ahora , cada vez que los vea, me llevarán de vuelta a nuestras vacaciones y rescatarán de la memoria todos aquellos recuerdos.
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It's Domino Day!

This morning, I was checking out Domino online when I stumbled upon a House Tour with designer Barrie Benson. I didn't really realize who she was until I started recognizing the amazing design job she did for the home of Charlotte boutique owner Laura Vinroot Poole that was published in the February 2007 issue.

Then when I went to the newsstand to pick up the October issue of Domino, guess who was on the cover, the designer herself, Barrie Benson! I have to say, it's probably one of my favorite all time Domino covers. I leafed through it a little but I can't wait to really sit down and read it this weekend. It looks like it's going to be a really great issue.

Below are just a few photos from Barrie's 1956 ranch house in Charlotte, North Carolina that she shares with her family. Enjoy!







Photos by Laura Resen

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Paris in Houston, Part Deux



My favorite landscaping company in Houston, pictured above, is Thompson + Hanson. Yes, you read that correctly, I said landscaping! The best part about shopping for plants at T+H is their antiques. OK, that sounds strange, I know, but believe me, their antiques are more gorgeous than their plants. Culled from trips overseas to France, their assortment of goods includes: armoires, chandeliers, settees, chairs, mirrors, bath goods, candles, and books, among other things. New or old, there is something here for every part of your home and body. The building, an old, restored stone-clad structure - is a delight in itself. If I were to start over and build a house today, I would base it on this design. It is a gorgeous space, the ceiling is raised to the rafters, the windows are all steel french doors that open onto an outdoor pergola-covered patio. The floor is stripped to its bare concrete foundation - cool on a typical hot Houston day. I want to live here, I say every time I come.

Outside, the walkways are paved in small crushed stone, just as is done in France - the basis of their design sensibility. Because the landscaping is French in feel, you won't find a lot of bright, blooming plants here. The focus is more on grasses and succulents than on azaleas and crepe myrtles, the typical mainstays of Houston landscaping. Large pots made of stone or tin are filled with grasses that quietly sway in the breeze. A large fountain is pouring water into what appears to be a huge animal bath, made of iron, not the usual stone. Nothing is typical here, nothing is expected. And no one does this better than Thompson + Hanson. Located on Saint Street in the hot, new upcoming design area of town. Neighbors include Indulge, Design District, Pile, Chateau Domingue, Krispin, and the soon to relocate, M. Naeve, featured yesterday.


The gorgeous interiors - hard to believe their main business is landscaping!

French antiques are everywhere - I love this daybed.

My reason for coming back time and time again: the up to date collection of Betaplus books, the only place in town you can buy them.

This gorgeous screen would look so good over a sofa.

Swedish antiques peek out amongst the French ones.

Typical elements of Thompson + Hanson design: stones, succulents, and perennials.


Their plants take on a contemporary feel, as do their landscapes.

No bright colors or new gauche pots, the simple - the better.

Modern pedestals contrast with antique urns.

Massed for effect.


The wildly inventive fountain.

Entry to the nursery is through a pergola holding up a water tower.

Evergreen wisteria climbs up the patio's pergola.

The best part: picnic table and wicker chairs set under a gorgeous antique chandelier. Takers, anyone?

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Paris in Houston, Part I

I've been shopping in Houston this week, just making the rounds of some of my favorite places. First stop is the romantic antique store M. Naeve, eponym for Margaret Naeve, a darling, twenty-something who actually looks more like a teenager. What's most astounding about Margaret being the owner is how does someone so young acquire such excellent taste? M. Naeve isn't the place for those who go for KWID fabrics or trendy colors. Her shop is cool khaki all the way, though Margaret giddily confesses her own apartment is bathed in shades of lilac. Margaret purchased the storefront and it's contents from the older, previous owner, but the store under Margaret's watch never looked this good before. Her impeccable eye helps when she's in France on buying trips. The carefully edited inventory is limited to peeling, painted finishes and pale wood pieces, huge, ancient fireplace mantels, crystal and wood chandeliers, and oversized accessories. What she's bought for M. Naeve is exactly what Houstonians of means, taste, and desire are buying these days. If you lucky enough to hire one of Houston's top designer's - you'll probably be the owner of something from this store.

Margaret's a doll with a bright future ahead of her. It's a pleasure shopping here among such beautiful and exquisite things and not be treated snobbishly or rudely, a rarity in the upper echelons of antique stores these days. She delights in the beauty of her hand picked pieces and her attitude is infectious.


Chandeliers, wood and crystal, pots, and lamps from M. Naeve.

Pale woods are the norm here. Large accessories like this clock face are favored.


Gray painted corner piece, unusual garden chaise, oversized mirror all add to the romance of M. Naeve.


I'll take two of each: sconces and botanicals.


There's a match to this chaise, with the arm on the right side, perfect with a table between them.


Pale woods and lilies, chairs with interesting backs


The mood at the store is so serene, calm, almost hushed, until Margaret's giggles pierce the quiet.


Interesting displays of furniture piled to the ceiling, gorgeous mirror.


Margaret has all her lampshades custom made in Paris, of course!

Besides French furniture, Swedish pieces abound - like this day bed piled high with linens.


Stunning candelabra, table surrounded with chairs with a 'lone star' motif.


The only color - gorgeous green!


Even her flower arrangements are to die for, creamy roses surrounded by lavender colored roses.

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Chic and the City

It's pretty much an unwritten rule that New Yorkers do not stare at celebrites or ask them for autographs. We don't even blink when we see a movie being shot as we walk by. That's just how it is. But yesterday, I almost had a total freak out when I saw Sarah Jessica Parker walk by me after filming a scene for the new Sex and the City movie! She is so unbelievably beautiful in person that these photos do not even do her justice.

I know this post has nothing to do with design other than the fact that her outfit was beyond chic! Check out the Eiffel Tower handbag. A little souvenir from their last trip to Paris perhaps? It's these little moments that make living in New York so exciting...even if we jaded New Yorkers don't usually admit it!



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Habitually Chic Artist: James Nares

I think I mentioned once before that my study of art history has left me with a pretty good photographic memory. I think it was all that memorizing for compare and contrast exams. So this is probably the reason that I kept noticing very similar artwork in the homes profiled in quite a few magazine spreads. Turns out the man behind these beautiful paintings is James Nares, a New York based London-born artist who uses calligraphy brushes that he makes himself to create very unique and original art using only one continuous brushstroke. You can see him in action in the photo below.

Each stroke has a life of its own. Nares says: “It’s a fine balance between design and the thing making itself happen. The stroke has to have complete precision to work. Sometimes I lose it on the exit. You can’t fudge it. It ruins the whole thing.” The resulting figures are almost always contained within the rectangle. “It’s less of a window if I keep it within the confines of the canvas, but there’s almost always a drip that’s an umbilical cord.”

I love the fact that no two will ever be the same no matter how similar they look. And I think you will agree that they look pretty fabulous in the homes below.

John Barrett's apartment from July/August 2007 ELLE Decor


Todd Romano's Apartment from September 2005 ELLE Decor


Josie Natori's Apartment from October 2007 ELLE Decor


Photo by Simon Upton from march 2007 House & Garden
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