Laman

Three Chairs



As you may recall, Anne Harwell, the artist on Etsy and on her blog as Annechovie - created this painting of my statue a few weeks ago. Recently, she has been doing silhouettes of chairs in gorgeous, rich colors. These are original hand cut silhouettes on paper.





When I saw these chairs tonight, it struck me that they should be purchased together, as opposed to separately, and they should be framed as one piece of art. I've created a facsimile with Mosaic Maker via Flckr Toys to show you how it might look. I love this! If you are interested in buying all three chair silhouettes, or even just one, go to Anne's web site and inquire. The price is uber reasonable.


Read More

En progreso.....

El quaker que tengo ahora entre manos es uno de mis wips que enseñé hace tiempo. La cuestión de este sampler , 1809 quaker sampler de Goode Houswife, es que sólo lo he hecho el los ratos de varios veranos. Este es el tercero y voy a por todas porque estoy deseando verlo enmarcado con el resto de la colección.



Me queda terminar el medallón empezado , hacer el de al lado , completar el año en el centro y después la árdua tarea de bordar sobre 1 hebra todos los grupitos de iniciales que salpican el bordado.
Para ver qué tal quedan estas miniaturas , he hecho una de ellas a la izquierda. No está mal , lo por es centrarlos. Es una cosa que tan pesada de hacer que siempre lo de para el final . Cuento y recuento para no equivocarme .... y claro cómo estas inciales van bordadas sobre una hebras, debes asegurarte bien la distancia que hay entre otros puntos..... Deshacer , para mí , es mortal.
Pues aquí queda un avance de mis wips. Ahora voy a hechar una mano a ALTERADO . La que quiera pasar por allí encontrá un video precioso de una artista que ha elegido el tema de las hadas para hacer alguno de sus trabajos. Ya me dirás si te ha gustado.

PS. El carrete de hilo verde , en la foto del quaker, ha sido un regalo , junto con otros más , de mi amiga Chon a la que mando un beso desde aquí.
Es de los de antes de madera ,para coser a máquina y tiene más años " que la tana". Pero ahí está , decorando en mi habitación de costura. Pequeños detalles que me alegran el día.
Read More

My Design: Family Room



Well, the big day finally arrived. The sofa, pictured above, that I picked out months ago was delivered this week. It's an old cliche, but very true: A designer can decide in a nanosecond what her client needs, but when it comes to the designer's own home? Forget it! The hold up was I couldn't decide what chairs would look good with the sofa because it has dramatic lines, with a high curved back, great depth, low - almost nonexistent - arms, and gorgeous, dark wood mouton legs. The truth is, I have waited my whole life for a George Smith sofa and arm chairs and I guess I'll be waiting for another life time. It's just not going to happen this time. As hard as I tried to make a pair of Smith's club chairs work, they just didn't look good next to the French styled sofa. So, after a few months of turmoil and indecision, back and forth, I finally decided on French wing chairs with mouton legs. The lines of the chair are very similar to the sofa. Decision finally made, chairs built, voila - it's here. As big of a change that it is to me, if you walk into my family room today, you may not even notice there is any new furniture at all, unless, of course, you're a design freak. Both my old and new sofa and chairs are slipcovered in white linen. The old wicker arm chair, my former perch, is now gone, replaced by the wing chair. But still, the overall effect is the same: white slipcovers contrasted with dark wood furniture. While the new furniture is not from George Smith, it is custom made, with all down cushions and it is tres comfy. Here's what my family room looks like with the new couch and chairs:





The only decision left concerns the pillows. This is what I'm thinking about - it's new from F. Schumacher, thick linen, gray and white - birds, of course, with the Quadrille negative-color toile feel. The fabric pops on the white sofa and repeats the high contrast of the white against the dark wood. What do you think? Should I use this fabric, or perhaps zebra, or even, dare I say, kwid or lulu?


Below, is another F. Schumacher fabric that seems to coordinate with my first choice. Or would a solid in deep raspberry or dark charcoal be better? What is your opinion? Do you have another suggestion?


AND.... One last design note. On my coffee table (which I would like to replace with a zinc one!!!) is a large blue & white Oriental bowl. It's huge and it's from Tozai Home, the upper-end division of Two's Company. Inside the bowl, I keep tons of loose photographs and old Christmas cards. I suggest this to all of my clients, especially the ones with myriad tacky picture frames cluttering every table and shelf. I've discovered that loose photos placed in a bowl invites conversation. At family gatherings, inevitably, one or two people will sit by the bowl and go through the whole thing, picture by picture. When was the last time anyone really looked at all your pictures in their frames? Toss those frames, put the photos in a big bowl, and watch your friends actually look at your photos for the first time.


Read More

Feel like a woman...wear a dress!

"Feel like a woman...wear a dress!" I love that quote from Diane von Furstenberg. Pretty much sums up her design philosophy and how she made a name for herself. Of course, she married a man with lots of money who funded her little dress business and if that wasn't enough of a reason to hate her, she also has quite a fabulous collection of homes.

The first three photos are of Diane's pied-a-terre in Paris designed with help from the designer Francois Catroux. You can really get a sense of her love of travel in the mix of textiles and prints in her apartment. It's a love that also extents to her famous fashion line. There is a great mix of antiques and contemporary art that is present in every home as well.

She's got quite a collection of Hermes boxes in the Paris apartment as seen in the dining room above. I wonder what she bought!


Diane von Furstenberg's new 14th Street building in New York not only houses her new shop but her office above and a glass room atop the building where she can sleep, do yoga and meditate. Lucky her!
But her real oasis of serenity and inspiration is her 75-acre Connecticut estate called Cloudwalk below. She bought it in 1974 on her 27th birthday and at the end of her marriage to Prince Egon von Furstenberg. This refuge from the insanity of life is where she goes to enjoy nature and spend time with family and friends. Perhaps, she'll go there after the insanity of fashion week is over!
The one thing you notice about all of her homes and her office are the books! You'll have to excuse the bad scanned image with the rip down the middle below but I just had to show her amazing library at Cloudwalk. The room also converts into a screening room and has armchairs by Adnet and a 1920's Orientalist painting above the fireplace. I dream of having a library that big someday. Sigh.

It's hard to imagine that the newest incarnation of Diane von Furstenberg's company has only been around for the last 10 years. She's a been a very busy woman but it really seems like she enjoys life and has fun. So why not wear a dress in her honor and feel like a woman! Unless of course you're a man, in which case, that might not be the best idea.

Read More

ALTERADO. Un blog hermano

Sí , si habéis leído bien. He creado otro blog con este título por la necesidad de separar el trabajo de bordado y pachwork con el de scrap y artwork.
Hace unos días os comenté que visitando mi album de flickr (pinchando en cualquier imágen del album que aparece a la derecha podéis acceder a él ) encontraríais en lo que me encontraba inmersa actualmente.
La verdad es que ha sido una progresión del scrap hacia mi lado más " artistico ". En busca de otros blogs con estilo vintage y shabby chic, dí con Melissa y su blog The garden of pink shadows.Pero lo que me dejó enganchada fue el libro hecho de tela que había recibido de su Round Robin , y que había llamado " Secretos de Primavera ".No me extraña que este verano se sintiera tan contenta después de recibirlo y ver lo que sus compañeras habían hecho en él.

Absolutamente tenía que averiguar cómo en una sóla pieza se podían reunir todos aquellos aspectos de costura, scrap, trabajo con telas, imágenes antiguas, crazy patchwork, decoupage ..... y con ese aire tan shabby chic.
Así descubrí otras técnicas que me sirven para mezclar mi experiencia en ambos campos.¡ Lo tiene todo!
Por cierto el resto del libro lo podéis ver en uno de sus artículos del mes de julio de este verano.







Llevo un mes recogiendo información , descargando archivos y conociendo otros blogs que trabajan el Artwork, artistas en una palabra, que trasmiten emociones con sus obras en papel o tela.
De modo que como esto iba cobrando dimensiones importantes, decidí , tras darle varias vueltas, que había que deshacer este " remix" de blog que se había convertido " las labores de Mercedes".
Asi que los artículos que sean de scrap y que algunas les gusta seguir , tendréis que buscarlo en Alterado
Allí descubriréis el porqué del título.Tenía varias propuestas pero finalmente me pareció ésta la más adecuada.
Por cierto que me ha llevado unas horillas aprender a componer el nuevo banner y personalizar el fondo. No hay día que no se acueste uno sin aprender algo.
Espero que os guste .Estais invitadas a seguir este blog paralelo y ver lo que voy aprendiendo.¡ Crucemos los dedos !
Read More

It's Fashion Week!!!



Today is the first day of Fashion Week! The best week of the whole year to be a girl in New York! There are so many shows, events and parties. Everyone is on top of their style game. It's fabulous!!!

In honor of this special week, I've decided to dedicate all of my posts to the chicest stylemakers in the fashion world. And who could be chicer than the Grand Dame of them all, Carolina Herrera! I've had the opportunity to meet her a few times and she's utterly impeccable and so gracious. I actually walked to Bergdorf Goodman in a blizzard to make it to her book signing! Ok, it was only a block but still, I wasn't about to let a little snow stop me from getting to my style idol. Hopefully, Ms. Herrera will inspire you to be a stand up straighter and be a little chicer today too!
Read More

Leanne s House .Bloque 5 terminado

Aquí está . Aplicados los corazones y pasados los pespuntes laterales. Desde luego es uno de los bloques más bonito de este quilt. No me extraña que ocupe el centro de los nueve bloques.

Leanne´s House bloque 5

Ahora a cortar los minibloques del sexto.
Read More

Frank Lloyd Wright's Fallingwater

The only good thing about your family having a house in the middle of nowhere is that it's only an hour away from one of the most famous houses in America, Frank Lloyd Wright's Fallingwater, also in the middle of nowhere. I first visited the site over 20 years ago so I thought it was about time for a second look, which is what I did this past weekend. Although, wearing Christian Louboutin flats on the tour probably wasn't the brightest idea I've ever had so if you plan to visit, I suggest taking along a pair of sneakers since a lot of the tour is outside.

"Fallingwater is recognized as one of Wright's most acclaimed works, and in a 1991 poll of members of the American Institute of Architects, it was voted "the best all-time work of American architecture." It is a supreme example of Frank Lloyd Wright's concept of organic architecture, which promotes harmony between man and nature through design so well integrated with its site that buildings, furnishings, and surroundings become part of a unified, interrelated composition."


Fallingwater was designed in 1935 for the Edgar J. Kaufmann family of Pittsburgh, who owned the famous Kaufmann's department store and vacationed in the Mill Run area of Pennsylvania. The family asked Wright to build a home near the Bear Run waterfall that they loved. What they didn't expect was for Wright to design the house over the waterfall but they agreed to the plan and it was built almost exactly as it was planned. The interesting part of the story was that it was the Kaufmann's son, Edgar Kaufmann, jr. who brought about the collaboration with Wright, who's career was in a bit of a slump at the time.

"After having read Frank Lloyd Wright’s An Autobiography (1932) on the advice of a friend, he was inspired to join the Taliesin Fellowship, which Wright and his wife, Olgivanna, had recently founded as an institute for artistic growth. In September, Edgar jr. traveled to Wisconsin for an interview with Wright, and a month later he was officially inscribed as a member of the fellowship. His stay at Taliesin only lasted six months, however, and he returned to Pittsburgh in 1935 to take his long deferred place in the family store. Over the next seven years, he played a pivotal role in integrating the family’s interest in progressive design, in Wright’s work, and business." He later went on to work for the Museum of Modern Art in New York and the family's story is so interesting that it's definitely worth reading online.

One of the things that almost all visitors notice upon arrival to Fallingwater is how modern and contemporary it looks for a design that was finished in 1939. It is also the only great Wright house open to the public with its setting, original furnishings, and art work intact. Almost all of the original Wright-designed furnishings are still in place. Fine art, textiles, objets d'art, books, and furnishings collected by the Kaufmann family from the 1930's through the 1960's are on view, and represent the eclectic tastes of a sophisticated, world-traveled family. Included in the collections are works by Audubon, Tiffany, Diego Rivera, Picasso, Jacques Lipchitz, Richmond Barthe, and woodblock prints by Japanese artists Hiroshige and Hokusai - gifts from Frank Lloyd Wright to the Kaufmanns.

"There in a beautiful forest was a solid, high rock ledge rising beside a waterfall, and the natural thing seemed to be to cantilever the house from that rock bank over the falling water....Then came (of course) Mr. Kaufmann's love for the beautiful site. He loved the site where the house was built and liked to listen to the waterfall. So that was a prime motive in the design. I think that you can hear the waterfall when you look at the design. At least it is there, and he lives intimately with the thing he loves." -- Frank Lloyd Wright in an interview with Hugh Downs, 1954

"Given the contour of the land, Wright located a house anchored in the rock next to the falls, jutting over the stream and counterweighted by massing at the back. Wright oriented the house to the southeast as he preferred, extending floors in horizontal bands which echoed rock ledges. The house would hover serenely over the water. Just uphill in a quarry on the property, native Pottsville sandstone was available to compliment the reinforced concrete Wright had in mind for the cantilevered floors. With these materials he needed glass, framed to give pattern and rhythm to the outlook; finally, the chosen trio of materials called for bright, warm coloring to offset the deep grays of the stone and visually inert concrete."

A few of my favorite aspects of Fallingwater is how the house follows the contours of the landscape and nature as seen in the beam that is curved to allow for the trunk of the tree above and how the boundaries of inside and out are blurred. The stair below start in the house and go directly down to the water above the waterfall below.

Building Fallingwater was a complicated and detailed operation, yet the resulting house seems to belong quietly in its setting. It fits into the hillside and extends out over the falls as if it has always belonged there. Within it, the areas for social life, privacy, and service are clearly separated but conveniently linked. Frank Lloyd Wright's masterpiece continues to unite human life, architectural form, and nature.

Even though it is in the middle of nowhere, it is definitely worth making a pilgrimage to Fallingwater to see one of the finest examples of architecture ever created. Just make sure you wear proper footwear!
Read More

Jail House Rock



I visited a very historic place this past weekend, but until I get my act together and download my photos, I thought I would tell you about a fun new hotel in Boston. I used to live in the Beacon Hill neighborhood for many years but for some reason, I don't remember the Charles Street jail. It's not a place I walked by everyday but I'm certainly taking note of it now that it's been turned into the fabulously chic Liberty Hotel.


There will be iron bars on the first two floors of the building, including the ballroom. The prison guard catwalks, which once flanked the cell blocks, now overlook the lobby and were described by the new owner as a great place for people watching...although now they probably won't have guns pointed at you this time.

Completed in 1851 by the architect Gridley James Fox Bryant on a site at the foot of Beacon Hill, the Charles Street Jail is a national, state and city landmark. The designation obligated the developers to keep such details as the bars, shown above, on the first and second floors. The sleeping arrangements will be a bit more hospitable than previously as well. There will be 18 guestrooms in the old building shown below and 300 more rooms available in a new tower adjoining the old jail building.


While the rooms in the old jail have exposed brick and bars, the rooms in the new tower are not reflective of the jail except for references in interior design, as in the imprints of jail bars on the custom draperies below. Let's just hope they updated the bathrooms too!

Photos by Erik Jacobs
Read More

Mas cajas decoradas

Siguiendo con los cambios , he trabajado algo el decoupage con un papel que traje de la tienda de Mani di Donna en Roma. Allí también tenían un bolso en cartón que ahora hace juego con una caja de madera. La compré en las tiendas de los veinte duros hace tiempo y ahora tiene un aire nuevo.

Así eran antes......




...... Y así son ahora......

Cajas en decoupage


Les di una mano de acrílico en color vainilla , luego pegué las imágenes recortadas. Apliqué una mano de barniz al agua , luego otra de barniz en gel mate, un poco de betún de juedea y para rematar otra mano de barniz en gel. Como véis los cierres también están pintados. Quedaban fatal en su color original. Luego algo de puntilla de guipur para darle el toque vintage que buscaba. Está pegada al cristal con cinta de doble cara de la marca MIlán, es muy finita y transparente. Viene en un aplicador y se compra en las papelerías. Es la que utilizo para scrap.

El interior de la de madera está forrada con dos telas de la colección Mary Rose con un poco de guipur para adornar y hacer juego.



Dentro he colocado mis mejores botones y otros tesoros que tengo reservados para los proyectos de collage.

Caja madera abierta con cosas

Me encanta decorar cajas. Tendría que tener un ratito a la semana para ir haciendo alguna más. Además mi querido marido ya se apuntó a la lista para que le hiciera alguna,¡ je, je, qué pilliin !
Read More
DISCLAIMER
If you are the copyright owner of any of these articles or image and don't want me to share them, please, write comments on pages and I will gladly remove them.